Changing Audacity’s Sampling Rate To 48,000 Hz
					Photo by OLEG PLIASUNOV on Unsplash
Hey there!
Got this note from a client today:
David,
I’m working with a producer on an audiobook (outside of ACX) and he wants me to send him the raw audio in what he calls 48000. What does that mean and how do I do that?
Karen
It’s actually pretty easy, but it’s not advisable. Either way, here’s the answer.
Hope this helps!
David
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Raw YouTube Captioning
hey there it’s David H Lawrence the 17th
 I heard from a student the other day who
 got an email from a client she was doing
 an audiobook for and the client was like
 I’d like to increase the quality of my
 book so could you please do your
 recording at 48,000 sample rate 48,000
 Hertz I’ve heard that’s better you know
 this is a is a wonderful opportunity to
 say this is why you hold the hand of
 your clients when you’re doing
 audiobooks so they don’t make mistakes
 like this 48,000 Hertz as a sampling
 rate is used for video and for films but
 not for audiobooks audiobooks are always
 sampled at 44100 Hertz or samples and
 what this means basically is how many
 samples per second how many discrete
 pieces of data per second sound is
 broken up into and described in that
 data so for example one second of sound
 at 44100 is cut up into forty-four
 thousand one hundred individual slices
 and each one of those slices is assigned
 a value and then when it’s played back
 all of those things all the slices that
 were recorded are stuck together and
 played back and that’s why you get
 really great sound forty eight thousand
 is more samples but it causes some
 issues with other pieces of software
 that work on your sound especially in
 mp3 so we want to stick with 44100 so
 having said that i’m happy to talk to
 you about using audacity and changing
 the sample rate what you’re seeing on
 the screen is just a real quick track
 that I recorded and if you’ll notice in
 the lower left hand corner of the
 recording window it says the project
 rate is 44100 now I can drop that menu
 down that is the sample rate for this
 particular track and I can change it to
 48,000 for the future but it’s not going
 to change this tracks this track sample
 rate that’s still gonna be 44100 so I’m
 gonna put that back so I don’t forget um
 if I wanted to change this tracks
 sample rate and cut it up into more
 slices I would then go up to the tracks
 menu and choose the resample option and
 then this too has a drop-down menu and I
 changed that to 48,000 and then what
 happens is it just basically goes in and
 resamples everything so but the project
 rate you’ll note is still 44100 just
 this track has been resampled that’s one
 way now if overall you decide you’re
 gonna be doing nothing with video work
 and you want to go ahead and change the
 sample rate for all of your projects not
 just the new tracks that are that are
 coming then you want to set it overall
 in audacity’s preferences and in
 preferences there’s a pane called
 quality and right here you see the same
 drop down menu so you can choose 48,000
 you can choose whatever you want it goes
 very high 96,000 is for high def sound
 but we want to keep things at 44100
 that’s really what we want to do because
 that’s what everybody uses that’s what
 everybody should be using and that’s
 what you want to push back a little bit
 on your client and say yeah I know it
 sounds like it’s really good but for
 audiobooks you want to keep it at 44100
 that’s how the industry works and really
 be firm about that because you can screw
 up your production process if you decide
 to start changing sampling rates in the
 middle of things or even at the
 beginning of things because audible for
 example expects things to be sampled at
 44100 and by the way that’s CD quality
 right if you play any CD any CD you’ve
 gotten it is sampled those little silver
 discs you remember those they’re sampled
 at 44100 which means a three and a half
 minute song would have about 9.2 million
 pieces of data that were recorded
 digitally and then are reconstituted to
 play that three and a half minutes worth
 of music so it’s very high quality audio
 files would poopoo that but you know
 audio books aren’t audiophile quality
 audio anyway so there you go that’s how
 to change it but don’t change it so any
 comments on that was that confusing to
 you did you understand that did I
 efficiently scare you away from doing it
 unless you’re doing video or film I hope
 so
 but that’s how to change it because
 somebody asked the question if you’d
 like to join my list and get different
 you know little things that help you
 with your career like this tech tips or
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I’ve been doing some books for Learning Ally and they prefer 22050 and unmastered .mp3 files for submission which they then master. What does that sampling level do?
44,100 is for stereo (two tracks at 22,050 each). If you’re sending just one mono track, the sound quality of 22,050 should be identical. Perhaps DHLXVII has a different take on it.
My only comment is that Sample Rate, set during recording, is most important when saving files—primarily for compatibility with player software and devices. It also factors in if you work with Digital Video Workstation programs.
Without going into excruciating and boring detail, after looking into it, I have decided to record at 48 KHz Sample Rate and then down-sample to 44.1 KHz when saving for audio projects. This keeps the higher Sample Rate uncompressed files for later pickups or processing or use in DV.
I was heartened when this was validated recently by Tim Tippets.
Crystal clear as usual. Thanks.
This is great. Gives me another question to add to my job intake questionnaire. Thanks!
Because we’re recording mono to begin with, the interleaving of two sets of 22,050 samples per second is not the same as one set of 44,100 samples. I’d leave it right where it is at 44,100 so as not to cause any issues down the line with mathematical analysis of the sound by testing engineers.
Hi David,
I realize that maybe you didn’t want to go into a lot of technical detail in your answer, but having watched the video, I don’t feel like I got anything that I would be able to potentially say to a client when pushing back and suggesting they stick with 44.1 kHz other than “that’s the way things work.” I heard you say at some point (I think?) that putting it at 48 kHz can cause problems down the line, but I’ve never heard that before, and without knowing more I wouldn’t feel comfortable saying it to a client because of the obvious egg-on-my-face follow-up:
me: putting it at 48 kHz can cause problems
client: what kind of problems?
me: [crickets]
Are you able to provide more detail in a way doesn’t make those of us who aren’t super tech-savvy go cross-eyed?
Thanks!
Brian
Interesting. I didn’t know that’s what CDs are sampled at, or what 48000 was used for. Thanks for the info David.