13197: Thankfully, Performers Aren’t Put Through This New Wringer

Hey there, hero!

We know as performers that the way things are handled in our business are sometimes very different from the way they are handled in more mainstream businesses.

And that can be frustrating, especially when it comes to not getting the booking.

We’re not told why. We never know why. We won’t ever know why.

But that’s a double edged sword, especially given this new twist to the traditional rejection letter that the Muggles get when they don’t get the job.

You might be very surprised what current HR practices have led corporate culture to “offer” to candidates who don’t “get the booking.” Let me know what you think in the comments below.

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Responses

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  1. I consider auditioning to be the job, and getting the booking to be “gravy.” I stopped obsessing over whether I got the job decades ago. Yes, I still do my best on the audition, but if they’re not looking for what I bring to the project, that’s fine. I can’t IMAGINE having to be rejected in person on a Zoom call. I don’t have time for that, and it’s hard to believe anyone involved in casting would, either. Book me or not, but don’t belabor the rejection process.

  2. I really have to wonder how casting directors would feel if we did that to them: “I’ve decided that the direction of your project isn’t what I want to pursue in my VO career. But thank you for taking time out of your busy day to allow me to tell you this personally, and if you should find a future opportunity ….” . Obviously, nope.

  3. It sounds like an awful process! Whose ego is this designed to boost?
    Perhaps in responding, one should develop a suitable AI ‘clone’ avatar to attend the ‘interview…. It might be an enjoyable one to record 🙂

  4. That’s a bit of a double edge sword. I’ve been auditioning and booking…and not booking for many years. I know all of the casting directors in my market. Each have booked me on numerous occasions. While I know that it’s not going to happen, I would welcome a video call to let me know why I missed a role. The information I would get would well offset the time for the call.
    One of the biggest fears an actor (ok. This actor.) has is no information. So, I do all the workshops I can afford. A massive amount of information can be gleaned that way.
    Do I get disappointed not hearing why the rejection? Yes. But in this business environment, it’s not going to happen. Instead, I work on doing the best performance for audition I can imagine.