Please Stop Rushing To Perform
 
					Photo by Maico Amorim on Unsplash
Hey there!
It happened again.
I was in a remote demo recording session with a client, when I noticed she’d click the record button in Audacity, and immediately begin her read.
This isn’t necessary, and it can be destructive to your performance. Here’s what I mean by that.
Hope this helps!
David
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Raw YouTube Captioning
hey there is David H Lawrence the
 seventeenth with just a little tiny tip
 that I hope will help make your
 performances more natural more easy less
 stressful less anxious I don’t know let
 me tell you the situation so when I
 produce a demo I’ve been producing demos
 for people around the world through a
 process where I hook up with them via
 zoom and I listen in as they record the
 clips at my direction
 locally themselves using their mic their
 space their copy of audacity and then
 with each clip that we do for the demo I
 have them email it to me as a WAV file
 and then I listen to it here in my
 studio before we go on to the next clip
 just in case I missed something
 over the net it you know there was a
 popped P or something that I couldn’t
 hear over the Internet
 and every so often I will hear one of my
 clients doing something that I think is
 by no is destructive to their reads or
 can be probably likely I guess that’s
 the best way to put it
 there may be a time when it’s not
 destructive but it’s far more likely
 that it is and this is it
 and I don’t know why people do this
 you know individually I don’t know why
 people do it I think I understand why
 people do it in general but let me see
 I’ll better strive I’m gonna describe it
 for you you tell me if you do this okay
 so when you sit down to start to record
 an audition or say you’re doing it on
 camera audition you’re about to record
 yourself doing a scene what’s the amount
 of time that you take between the moment
 that you start the recording and then
 you start your performance now it’s
 likely that that time is fairly lengthy
 when you’re doing it on camera
 performance because if you’re recording
 yourself and you’ve got nobody to help
 you you have to start there camera
 running and then you have to go back and
 get into position and you have to kind
 of set yourself you’re doing what I want
 you to do when you do voiceover
 auditions as well but what I what I
 heard my client doing in the demo
 session I just did this past week with
 them is because I have them share their
 screen with me and I can see what
 audacity is doing I can see how thick
 the waveforms are I can see if there’s
 any noise I can see all these things
 going on what I saw my client doing was
 clicking the record button and instantly
 starting to talk and it was so apparent
 that it was all of the getting set and
 the clearing of the throat and getting
 ready and all that stuff was happening
 prior to the clicking of the record
 button and then the starting of the
 talking and I’m saying this because it
 was like let me let me just try to do an
 impression for you okay ready anytime
 you’re ready okay
 okay now I’m gonna be talking so what I
 see happening there is this sort of
 anxious moment where okay I’m gonna
 click that record button and when I
 click that record button I have to say I
 have to start talking because otherwise
 there’s gonna be space at the beginning
 or there’s gonna be some sort of payment
 that’s due because I’m wasting electrons
 you know I just I understand that it’s
 it’s a moment when you’re switching
 gears when you’re switching from like
 it’s kind of an inertial moment you’re
 switching from being at rest to being in
 motion right
 and my advice to you is if you find
 yourself doing that if you find yourself
 clicking and then talking just say to
 yourself that’s not necessary
 click and set yourself back to neutral
 check your notes look at the script
 think about what you’re gonna do once
 you’re done talking maybe you’re gonna
 send it off as an mp3 maybe even want to
 go get a cup of coffee I don’t know you
 decide you want to clear your throat
 clear your throat but take the time you
 need don’t jump right in and I’ll tell
 you why if you do that there’s a very
 good likelihood that your face will not
 be in a neutral position
 whatever face you make whatever however
 you hold your mouth when you’re anxious
 that’s where you’re gonna be starting so
 that moment when you’re like and then
 you go that’s not going to be helpful to
 you that’s going to in many cases harm
 the very beginning of your work so take
 your time
 everything is free you’re gonna cut off
 the beginning of that that empty space
 and at the end same thing let it go let
 it land and then click you know stop
 when you feel like it you’re gonna cut
 both of those things off so it’s not
 like you have to pay extra to do that
 right
 take your time Get Set click the record
 button and then do whatever you need to
 do to be settled and be your natural
 human self don’t gear up gear up gear up
 press record and go I see it happening
 all the time
 I want it not to happen for you please
 stop rushing to perform is I say this
 because I see it happening and then I
 see when I when I help my clients not do
 this I hear their performances get
 instantly better because they no longer
 have that stress that’s sort of Damocles
 hanging over their head that they’ve
 pressed the record button and now they
 have to talk I encourage them to take as
 much time as possible and I hear the
 difference so my question to you is is
 this anything that you’ve ever
 considered or is this like am I just a
 whack job I I hear it happening all the
 time I think it’s a thing but it’s only
 been with maybe twenty thirty of my
 clients over time so tell me in the
 comments below tell me if this is
 something that makes sense to you if
 it’s something maybe you’ve been doing
 and you don’t even know it or you do it
 and you think to yourself well I got to
 do it because that’s the way I’ve always
 done or you know I don’t know what
 you’re talking about David this is not
 what I do
 let me know I’d love to know because
 these are the things when I think about
 them I go should I share this with
 people yeah I really should so that’s
 what I did if you’d like to subscribe to
 my list and get notified when these
 videos these one-a-day videos come out
 or when I post a blog about something or
 when there’s an event that’s going on
 that I think could be helpful to you
 there’s a subscribe button or a
 subscribe form somewhere around this
 video on the page and if you’d like to
 see the last episode the very latest
 episode I’ve done go ahead and click on
 that frame there and YouTube will take
 you there and play it for you I’m David
 H Lawrence xvii I thank you so much for
 watching and I will talk to you tomorrow.
 
		 
			
Funny you should mention this topic! In addition to learning not to start recording like a race horse, I’ve also found that many times I have to record the very first few minutes of a book at least a couple of times to get the rhythm and cadence and get my body and voice to relax into it for a more natural sound. Good advice!!
David,
Funny you should mention this. Unconsciously, I have always done what you recommend. I guess it just seemed to be the most natural thing to do. On thinking back, though, I believe the reason is that the practice may have come from my earliest experiences on the stage where I started living in the moment as a part of being ready to make my entrance or waiting for the curtain to go up. Like, my character has a life that’s going on before that and it just continues after that. Does this make sense to you?
As a former broadcaster, I was programmed to do this because, of course, radio is a real-time medium. I used to record direct to carts a lot, too. I find I still do this (i.e., ‘keep it tight’) on phone calls, just from habit, no doubt.
Now, I just remind myself that there’s no cost involved anymore, just as when taking digital pics, recording per se doesn’t incur any cost; you can just delete anything you don’t ultimately need. As an engineer/geek, I tend to watch costs, but here, it’s not helpful! Just turn the thing on, record when you’re ready/set, and extract the good stuff from the overall session. But I confess, old habits die hard!
Hey David,
Thanks for the video! And yes, I’ve discovered over the last few years that this IS a thing. I just didn’t realize it affected others. I don’t do much in the way of on-camera or commercial VO work, I mainly concentrate on audiobook narration, but yeah, what you’re describing is what I call righting my ship before I perform. When recording an audiobook, I’ll hit record, then take a couple deep breaths before I start talking. It allows me to, as you said, get back in to a neutral state and allow the authors words to talk through me (yeah, maybe that sounds weird). But by righting my ship, I’m enabled to not be me anymore, and be whatever it is I’m performing.
This is something that I do.! I’ve been making a conscious effort, having watched an editing video you made to take time, take a few breaths, beats, whatever you want to call them, take a breath, set my mouth to the first word and then go. It comes out so much better! I don’t know where the sense of urgency comes from to “get ‘er dun”, but I’m learning! I once had a boss who was totally into doing things quickly which fed into my Type A personality… yeah, lets blame him – LOL – NOT, I’m taking responsibility and learning and moving forward. Thanks David!!
I actually take time even in my pickups when I feel I need it. It may take an extra second or two in the editing but I find it makes the quality much better.
Glad to know it’s in line with best practice.
When I do auditions, especially for audiobooks I definitely read the audition through a few times before I begin recording. Another VO friend who does audiobooks said it takes her about 20 minutes of reading the book (when she’s doing an actual job) to get “lost” in it like David mentioned.
This is the same overall idea that I tell my piano students.
“Think and then play”: never, “Play and then think”!
Therefore: “Think and then read”: never, “Read and then think”!
It works so well for fine performances!
I like what you said about your face not being in a good position to record if you start quickly. Great advice. Thanks for the video David.
As a former broadcaster, I was programmed to do this because, of course, radio is a real time medium. Are used to record direct to cards a lot, too. I find I still do this (i.e., ‘keep it tight’), on phone calls, just from habit, no doubt.
Now, I just remind myself that there is no cost involved anymore; just as when taking digital pics, recording per se doesn’t incur any cost; you can just delete anything you don’t ultimately need. As an engineer/geek, I tend to watch costs, but here, it’s not helpful! Just turn the thing on, record when you’re ready/set, and extract the good stuff from the overall session. But, I confess, old habits die hard!
And as far as extra space at the end, while I am not a golfer, I have certainly come to appreciate the concept of follow-through. Finish the swing and come to a natural rest. You can hear it in your voice.