Please Stop Rushing To Perform
Photo by Maico Amorim on Unsplash
Hey there!
It happened again.
I was in a remote demo recording session with a client, when I noticed she’d click the record button in Audacity, and immediately begin her read.
This isn’t necessary, and it can be destructive to your performance. Here’s what I mean by that.
Hope this helps!
David
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Raw YouTube Captioning
hey there is David H Lawrence the
seventeenth with just a little tiny tip
that I hope will help make your
performances more natural more easy less
stressful less anxious I don’t know let
me tell you the situation so when I
produce a demo I’ve been producing demos
for people around the world through a
process where I hook up with them via
zoom and I listen in as they record the
clips at my direction
locally themselves using their mic their
space their copy of audacity and then
with each clip that we do for the demo I
have them email it to me as a WAV file
and then I listen to it here in my
studio before we go on to the next clip
just in case I missed something
over the net it you know there was a
popped P or something that I couldn’t
hear over the Internet
and every so often I will hear one of my
clients doing something that I think is
by no is destructive to their reads or
can be probably likely I guess that’s
the best way to put it
there may be a time when it’s not
destructive but it’s far more likely
that it is and this is it
and I don’t know why people do this
you know individually I don’t know why
people do it I think I understand why
people do it in general but let me see
I’ll better strive I’m gonna describe it
for you you tell me if you do this okay
so when you sit down to start to record
an audition or say you’re doing it on
camera audition you’re about to record
yourself doing a scene what’s the amount
of time that you take between the moment
that you start the recording and then
you start your performance now it’s
likely that that time is fairly lengthy
when you’re doing it on camera
performance because if you’re recording
yourself and you’ve got nobody to help
you you have to start there camera
running and then you have to go back and
get into position and you have to kind
of set yourself you’re doing what I want
you to do when you do voiceover
auditions as well but what I what I
heard my client doing in the demo
session I just did this past week with
them is because I have them share their
screen with me and I can see what
audacity is doing I can see how thick
the waveforms are I can see if there’s
any noise I can see all these things
going on what I saw my client doing was
clicking the record button and instantly
starting to talk and it was so apparent
that it was all of the getting set and
the clearing of the throat and getting
ready and all that stuff was happening
prior to the clicking of the record
button and then the starting of the
talking and I’m saying this because it
was like let me let me just try to do an
impression for you okay ready anytime
you’re ready okay
okay now I’m gonna be talking so what I
see happening there is this sort of
anxious moment where okay I’m gonna
click that record button and when I
click that record button I have to say I
have to start talking because otherwise
there’s gonna be space at the beginning
or there’s gonna be some sort of payment
that’s due because I’m wasting electrons
you know I just I understand that it’s
it’s a moment when you’re switching
gears when you’re switching from like
it’s kind of an inertial moment you’re
switching from being at rest to being in
motion right
and my advice to you is if you find
yourself doing that if you find yourself
clicking and then talking just say to
yourself that’s not necessary
click and set yourself back to neutral
check your notes look at the script
think about what you’re gonna do once
you’re done talking maybe you’re gonna
send it off as an mp3 maybe even want to
go get a cup of coffee I don’t know you
decide you want to clear your throat
clear your throat but take the time you
need don’t jump right in and I’ll tell
you why if you do that there’s a very
good likelihood that your face will not
be in a neutral position
whatever face you make whatever however
you hold your mouth when you’re anxious
that’s where you’re gonna be starting so
that moment when you’re like and then
you go that’s not going to be helpful to
you that’s going to in many cases harm
the very beginning of your work so take
your time
everything is free you’re gonna cut off
the beginning of that that empty space
and at the end same thing let it go let
it land and then click you know stop
when you feel like it you’re gonna cut
both of those things off so it’s not
like you have to pay extra to do that
right
take your time Get Set click the record
button and then do whatever you need to
do to be settled and be your natural
human self don’t gear up gear up gear up
press record and go I see it happening
all the time
I want it not to happen for you please
stop rushing to perform is I say this
because I see it happening and then I
see when I when I help my clients not do
this I hear their performances get
instantly better because they no longer
have that stress that’s sort of Damocles
hanging over their head that they’ve
pressed the record button and now they
have to talk I encourage them to take as
much time as possible and I hear the
difference so my question to you is is
this anything that you’ve ever
considered or is this like am I just a
whack job I I hear it happening all the
time I think it’s a thing but it’s only
been with maybe twenty thirty of my
clients over time so tell me in the
comments below tell me if this is
something that makes sense to you if
it’s something maybe you’ve been doing
and you don’t even know it or you do it
and you think to yourself well I got to
do it because that’s the way I’ve always
done or you know I don’t know what
you’re talking about David this is not
what I do
let me know I’d love to know because
these are the things when I think about
them I go should I share this with
people yeah I really should so that’s
what I did if you’d like to subscribe to
my list and get notified when these
videos these one-a-day videos come out
or when I post a blog about something or
when there’s an event that’s going on
that I think could be helpful to you
there’s a subscribe button or a
subscribe form somewhere around this
video on the page and if you’d like to
see the last episode the very latest
episode I’ve done go ahead and click on
that frame there and YouTube will take
you there and play it for you I’m David
H Lawrence xvii I thank you so much for
watching and I will talk to you tomorrow.
Funny you should mention this topic! In addition to learning not to start recording like a race horse, I’ve also found that many times I have to record the very first few minutes of a book at least a couple of times to get the rhythm and cadence and get my body and voice to relax into it for a more natural sound. Good advice!!
David,
Funny you should mention this. Unconsciously, I have always done what you recommend. I guess it just seemed to be the most natural thing to do. On thinking back, though, I believe the reason is that the practice may have come from my earliest experiences on the stage where I started living in the moment as a part of being ready to make my entrance or waiting for the curtain to go up. Like, my character has a life that’s going on before that and it just continues after that. Does this make sense to you?
As a former broadcaster, I was programmed to do this because, of course, radio is a real-time medium. I used to record direct to carts a lot, too. I find I still do this (i.e., ‘keep it tight’) on phone calls, just from habit, no doubt.
Now, I just remind myself that there’s no cost involved anymore, just as when taking digital pics, recording per se doesn’t incur any cost; you can just delete anything you don’t ultimately need. As an engineer/geek, I tend to watch costs, but here, it’s not helpful! Just turn the thing on, record when you’re ready/set, and extract the good stuff from the overall session. But I confess, old habits die hard!
Hey David,
Thanks for the video! And yes, I’ve discovered over the last few years that this IS a thing. I just didn’t realize it affected others. I don’t do much in the way of on-camera or commercial VO work, I mainly concentrate on audiobook narration, but yeah, what you’re describing is what I call righting my ship before I perform. When recording an audiobook, I’ll hit record, then take a couple deep breaths before I start talking. It allows me to, as you said, get back in to a neutral state and allow the authors words to talk through me (yeah, maybe that sounds weird). But by righting my ship, I’m enabled to not be me anymore, and be whatever it is I’m performing.
This is something that I do.! I’ve been making a conscious effort, having watched an editing video you made to take time, take a few breaths, beats, whatever you want to call them, take a breath, set my mouth to the first word and then go. It comes out so much better! I don’t know where the sense of urgency comes from to “get ‘er dun”, but I’m learning! I once had a boss who was totally into doing things quickly which fed into my Type A personality… yeah, lets blame him – LOL – NOT, I’m taking responsibility and learning and moving forward. Thanks David!!
I actually take time even in my pickups when I feel I need it. It may take an extra second or two in the editing but I find it makes the quality much better.
Glad to know it’s in line with best practice.
When I do auditions, especially for audiobooks I definitely read the audition through a few times before I begin recording. Another VO friend who does audiobooks said it takes her about 20 minutes of reading the book (when she’s doing an actual job) to get “lost” in it like David mentioned.
This is the same overall idea that I tell my piano students.
“Think and then play”: never, “Play and then think”!
Therefore: “Think and then read”: never, “Read and then think”!
It works so well for fine performances!
I like what you said about your face not being in a good position to record if you start quickly. Great advice. Thanks for the video David.
As a former broadcaster, I was programmed to do this because, of course, radio is a real time medium. Are used to record direct to cards a lot, too. I find I still do this (i.e., ‘keep it tight’), on phone calls, just from habit, no doubt.
Now, I just remind myself that there is no cost involved anymore; just as when taking digital pics, recording per se doesn’t incur any cost; you can just delete anything you don’t ultimately need. As an engineer/geek, I tend to watch costs, but here, it’s not helpful! Just turn the thing on, record when you’re ready/set, and extract the good stuff from the overall session. But, I confess, old habits die hard!
And as far as extra space at the end, while I am not a golfer, I have certainly come to appreciate the concept of follow-through. Finish the swing and come to a natural rest. You can hear it in your voice.